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In the summer of 1926, Mencken followed with great interest the Los Angeles grand jury inquiry into the famous Canadian-American evangelist Aimee Semple McPherson . She was accused of faking her reported kidnapping and the case attracted national attention. There was every expectation Mencken would continue his previous pattern of anti-fundamentalist articles, this time with a searing critique of McPherson. Unexpectedly, he came to her defense, identifying various local religious and civic groups which were using the case as an opportunity to pursue their respective ideological agendas against the embattled Pentecostal minister.  He spent several weeks in Hollywood , California , and wrote many scathing and satirical columns on the movie industry and the southern California culture. After all charges had been dropped against McPherson, Mencken revisited the case in 1930 with a sarcastically biting and observant article. He wrote that since many of that town's residents acquired their ideas "of the true, the good and the beautiful" from the movies and newspapers, "Los Angeles will remember the testimony against her long after it forgets the testimony that cleared her." 
Scatology has a long literary association with satire,    as it is a classical mode of the grotesque , the grotesque body and the satiric grotesque.   Shit plays a fundamental role in satire because it symbolizes death , the turd being "the ultimate dead object".   The satirical comparison of individuals or institutions with human excrement , exposes their "inherent inertness, corruption and dead-likeness".    The ritual clowns of clown societies , like among the Pueblo Indians , have ceremonies with filth-eating .   In other cultures, sin-eating is an apotropaic rite in which the sin-eater (also called filth-eater),   by ingesting the food provided, takes "upon himself the sins of the departed".  Satire about death overlaps with black humor and gallows humor .