Essay made by filipino essayist

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Food in Daily Life. Filipinos do not consider it a meal if rice is not served. Plain steamed rice is the basis of the diet. Three crops a year are harvested to provide enough rice for the population, and the government keeps surpluses stored for times of drought. Salt water and freshwater of fish and shellfish are eaten daily, served either fresh or salted. Fish, chicken and pork are usually fried, although people are becoming more health-conscious and often choose alternative methods of cooking. Garlic is added to food because it is considered healthful. Filipino food is not spicy. All food is cooked on gas burners or wood or charcoal fires and is allowed to get cold before it is eaten. Rice is cooked first, since it takes longer. When it is ready, rice will be placed on the table while the next items of the meal are prepared and served.

I won’t pretend I was present when Hip Hop began. I first engaged with Hip Hop music about ten years after its birth, when the culture was still a kid. I’d graduated from college and was working at a bank in Los Angeles. A year later, bored as hell, I quit. On a whim, I rented an abandoned hall and started booking shows. My policy was to provide a stage for the music that promoters were ignoring: punk-rock, reggae, and rap. It turned out to be a winning strategy. One of my very first shows included RUN DMC, and they absolutely KILLED IT. Following the success of those shows, I left LA for NYC and started working for Russell Simmons, who appointed me road manager for RUN DMC just as they were embarking on a European tour. It was December of 1984 and they found nothing but love on both sides of the English Channel. A month later, RUN DMC, along with Kurtis Blow, the Fat Boys, and Whodini, started touring massive arenas across the .. To the rock establishment and corporate music business, hip hop was little more than a fad. But with acts selling out shows around the globe night after night, it was obvious that something bigger was brewing...

Indonesia hosts a sparkling variety of traditional verbal arts (poetry, historical narratives, romances, drama etc.) which are expressed in local languages, but modern genres are expressed mainly through Indonesian. Modern literature (novels, short stories, stage plays, free-form poetry etc.) has developed since the late years of the 19th. century and has produced such internationally recognised figures as novelist Pramoedya Ananta Toer, dramatist . Rendra, poet Chairil Anwar and cinematographer Garin Nugroho. Indonesian is also the language of the nation’s breezy, inventive popular arts: TV melodrama and comedy, pop novels, popular songs, cartoons and comics.

Essay made by filipino essayist

essay made by filipino essayist

Indonesia hosts a sparkling variety of traditional verbal arts (poetry, historical narratives, romances, drama etc.) which are expressed in local languages, but modern genres are expressed mainly through Indonesian. Modern literature (novels, short stories, stage plays, free-form poetry etc.) has developed since the late years of the 19th. century and has produced such internationally recognised figures as novelist Pramoedya Ananta Toer, dramatist . Rendra, poet Chairil Anwar and cinematographer Garin Nugroho. Indonesian is also the language of the nation’s breezy, inventive popular arts: TV melodrama and comedy, pop novels, popular songs, cartoons and comics.

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